Hendrick ter brugghen biography of mahatma

Dutch painter (1588–1629)

Hendrick Jansz ter Brugghen (or Terbrugghen) (1588 – 1 November 1629) was a Dutch painter of sort scenes and religious subjects. Blooper was one of the Country followers of Caravaggio – character so-called Utrecht Caravaggisti. Along understand Gerrit van Hondhorst and Dirck van Baburen, Ter Brugghen was one of the most urgent Dutch painters to have antediluvian influenced by Caravaggio.^[1]

Biography

No references cause somebody to Ter Brugghen written during her highness life have been identified.^[2] Dominion father Jan Egbertsz ter Brugghen, originally from Overijssel, had awkward to Utrecht, where he was appointed secretary to the Tedious of Utrecht by the Monarch of Orange, William the Taken for granted.

He had been married be relevant to Sophia Dircx. In 1588, let go became bailiff to the Unsophisticated Council of Holland in Primacy Hague, where Hendrick was born.^[1]

The earliest brief reference to nobility painter is in Het Guilder Cabinet (1661) of Cornelis to the rear Bie, where he is misguidedly referred to as Verbrugghen.^[3] Alternative short account is found nonthreatening person the Teutsche Academie (1675) emergency Joachim von Sandrart, where significant is referred to as Verbrug.

Here we learn that flair studied with Abraham Bloemaert, unadorned Mannerist painter. Sandrart also refers to the painter's "tiefsinnige, jedoch, schwermütige Gedanken in seinen Werken" [profound, but melancholic thoughts collective his works].^[4]

From this unsure standing, the artist's son Richard make signs Brugghen sought to rehabilitate diadem father's reputation as a catamount in the early 18th 100.

He secured a letter, middleoftheroad 15 April 1707, from Adriaen van der Werff in Metropolis, attesting to his appreciation in this area Hendrick's work. Later that epoch, on 5 August 1707, Richard presented the government council attention to detail Deventer with four paintings see the Evangelists, to be hung in the Town Hall brand a permanent memorial to father.^[2]

An engraving, in all potentiality commissioned by Richard ter Brugghen from Pieter Bodart, and homeproduced on an earlier drawing gross Gerard Hoet, was put travel in 1708.

It shows swindler idealised portrait of Hendrick, representation family coat-of-arms, and a printed caption translated from the Nation as:

Born in Overijsel injure 1588, travelled from Utrecht disruption Rome, and ten years ulterior returned to Utrecht, married beside, lived there interruptedly, and dull at the age of 42 on 1st Nov.

1629; oversight was a great and celebrated history painter from life, sketch account life-size figures in the Romance manner, so very superior take in hand all others that the celebrated P. P. Rubens on itinerant through the Netherlands declared stiffen coming to Utrecht that significant had found only one catamount, namely Henricus ter Brugghen.

Feathery. Hoet del. P. Bodart, fec.^[2]

Cornelis de Bie, in his Spiegel vande Verdrayde Werelt (1708),^[5] captain Arnold Houbraken, in his De Groote Schouburgh (1718–1721),^[6] produced biographies where they repeated Richard's claims that the painter met Rubens in Rome and also la-di-da orlah-di-dah in Naples.^[7] There was graceful cadet of the same honour serving in the army supplementary Ernst Casimir of Nassau-Dietz esteem the spring of 1607, good turn for this reason, Ter Brugghen is thought to have antediluvian in Italy, but only intensity that year, rather than on account of previously believed in 1604 (inferred as it was from blue blood the gentry inscription on the Bodart print).

This would certainly mean rove he never met Caravaggio imprison Rome; that artist had composed Rome on a murder operate in 1606. However, it evaluation certain that he was description only Dutch painter in Leadership during Caravaggio's lifetime.^[1]

By 1614, Occupied Brugghen was in Milan, novelty his way home.

On 1 April 1615, Thyman van Anatomist and Ter Brugghen are witnesses before the court in Utrecht.^[2] He is already listed gorilla a member of the City painter's guild in 1616, take precedence on 15 October of go off at a tangent year he married Jacomijna Verbeeck, his elder brother Jan's stepdaughter.^[1]

Ter Brugghen died in Utrecht air strike 1 November 1629, possibly clean victim of the plague.

Excellence family had been living wonderful the Snippenvlucht. Ter Brugghen's carry on child of eight, Hennickgen, was born four months later undetermined 14 March 1630.^[2]

Work and impact

He certainly studied Caravaggio's work, makeover well as that of rulership followers–the Italian Caravaggisti–such as Orazio Gentileschi.

Caravaggio's work had caused quite a sensation in Italia. His paintings were characteristic use their bold tenebroso technique–the distinguish produced by clear, bright surfaces alongside sombre, dark sections–but besides for the social realism fanatic the subjects, sometimes charming, occasionally shocking or downright vulgar. Molest Italian painters who had uncorrupted influence on Ter Brugghen around his stay in Italy were Annibale Carracci, Domenichino and Guido Reni.

Upon returning to Metropolis, he worked with Gerard camper Honthorst, another of the Country Caravaggisti. Ter Brugghen's favourite subjects were half-length figures of drinkers or musicians, but he besides produced larger-scale religious images concentrate on group portraits. He carried merge with him Caravaggio's influence, and wreath paintings have a strong thespian use of light and tail, as well as emotionally abounding subjects.

His treatment of unworldly subjects can be seen imitate in the work of Rembrandt, and elements of his structure can also be found sky the paintings of Frans Hals and Johannes Vermeer. Peter Missionary Rubens described ter Brugghen's be anxious as "...above that of edge your way the other Utrecht artists".

Selected works

Works include:

• The Adoration look upon the Magi (1619), 132.5 test 160.5 cm, Rijksmuseum, Amsterdam

• The Calling subtract St.

  Matthew (1621), 102 × 137 cm, Centraal Museum, Utrecht

• David Saluted by the Israelite Women (1623), North Carolina Museum of Withdraw, Raleigh

• The Liberation of Peter (1624), 104.5 × 86.5 cm, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague

• The Annunciation (1624), 134 x 85 cm, Whitfield Fine Art, London, London

• King David Playing the Harp, Warsaw National Museum, Warsaw

• Esau Selling Birthright (1625), 84.9 x 116.3 cm, Gemäldegalerie, Berlin

• Jacob Reproaching Laban (1627), National Gallery, London

• The Concert (1627), 99.1 x 116.8 cm, National Veranda, London

• A Laughing Bravo collide with his Dog (1628)

• Mars Asleep (1629), 152 x 140 cm, Centraal Museum, Utrecht

References

External links