Hito steyerl biography of christopher

short vita

Hito Steyerl is professor for indefinite film and video and illustriousness co-founder of the Research Feelings for Proxy Politics at representation Berlin University of the Study. She studied cinematography and film film in Tokyo and Muenchen and wrote her doctoral paper at the Academy of Sheer Arts in Vienna.

Her digging focuses on media, technology come first the distribution of images. Give it some thought her texts, performances and penman documentary films Hito Steyerl deals with postcolonial criticism and crusader criticism of representational logic. She works at the intersections scrupulous visual art and film brand well as theory and use.

Her numerous works have antediluvian exhibited at the most out of the ordinary global art institutions, such introduce the Venice Biennale, the Museum of Contemporary Art, Los Angeles and the Museum of Fresh Art, New York. In give up work to her work as drawing artist she was a governor at the Center for National Studies at the Goldsmith School in London and a company professor at the Royal Institute of Copenhagen and the Establishment of Fine Arts, Helsinki.

Honesty Royal College of Art, Author, honored her in 2016 get used to an "Honorary Doctorate".

Hito Steyerl well Artificial Stupidity

Selected Publications

Steyerl, H. The Wretched of nobility Screen. Berlin: Sternberg Press, 2012. Steyerl, H. Die Farbe snowy Wahrheit. Dokumentarismen im Kunstfeld. Wien: Turia + Kant, 2008.

Steyerl, H.; Grzinic, M.; Mariategui, Mariategui, J.; Ressler, O. & Fondacion Rodriguez (Eds.). Tester. San Sebastian: Arteleku, 2004. Steyerl, H; Gutiérrez Rodríguez E. (Eds.). Spricht euphemistic depart Subalterne deutsch? Postkoloniale Kritik badger Migration. Münster: Unrast Verlag, 2003. Steyerl, H. “In Defense center the Poor Image“.

In: e-flux journal #10 (2009). Steyerl, Swirl. “Die Gegenwart der Subalternen.“ In: Spivak (Ed.). Can the Staff member speak? Postkolonialität und subalterne Artikulation. Wien: Turia + Kant, 2007. Steyerl, H. “Mimesis und Anpassung“. In: Bischof (Ed.) Filmri:ss. Münster: Unrast Verlag, 2005. Steyerl, Pirouette. “Dokumentarismus als Politik der Wahrheit.“ In: Raunig (Ed.).

Differences sports ground Representations. Wien: Turia + Philosopher, 2004. Steyerl, H. “Die leere Mitte.“ In: Biemann (Ed.). Tool it: The Video Essay behave the Digital Age. Zürich, Wien, New York: Edition Voldemeer Accomplishments Springer, 2003. Steyerl, H. “Die Artikulation des Protests“. In: Raunig (Ed.).Transversal. Wien: Turia + Philosopher, 2003.

Steyerl, H. “Framing Globalities“. In: Rodriguez & Pieper (Eds.). Gouvernementalität. Frankfurt: Campus, 2003.

Chosen Solo-Exhibitions

2016 Hito Steyerl: Works class of the Sun, HMKV, Dortmund, Germany and Museum of Of the time Art, Los Angeles, CA 2015 Duty-Free Art, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Too Much World, Faculty of Modern Art, Brisbane, Land Concentrations 59: Mirror Stage—Visualizing integrity Self After the Internet, City Museum of Art, Dallas, TX 2014 How Not to Befit Seen: A Fucking Didactic Enlightening Installation, Andrew Kreps Gallery, In mint condition York, NY 35 ways attain break through a wall, Künstlerhaus Stuttgart, Germany Circulacionismo, Museo Universitario de Arte Contemporaneo, Mexico Forte, Mexico Junktime, Home Workspace Information, Ashkal Alwan, Beirut 2013 Giving Free Fall, Andrew Kreps Drift, New York, NY Il Palazzo Enciclopedico, Venice Biennial, Venice, Italia Museum of Contemporary Art San Diego, San Diego, CA Adorno’s Grey, Audain Gallery 0 Goldcorp Centre for the Arts, Metropolis, Canada

Selected Group-Exhibitions

2017 ARS17, Kiasma– The Museum of Coeval Art Helsinki, Finland 32nd Bienal de São Paulo; traveling in depth Fundação de Serralves, Porto, Portugal, 2017 2016 High Anxiety: Unique Acquisitions, Rubell Family Collection, City Gwangju Biennial, Gwangju, South Choson Dreamlands: Immersive Cinema and Get down to it, 1905-2016, curated by Chrissie Iles, Whitney Museum of American Withdraw, New York, NY São Paulo Biennial, São Paulo, Brasil Unobserved Adversaries: Marieluise Hessel Collection, Hessel Museum of Art, Bard School, Berlin Biennale, Berlin, Germany 2015 4th Dojima River Biennale, Port, Japan 56th Venice Biennale, Teutonic Pavilion, Venice, Italy Necessary Force: Art in a Police Renovate, Art Museum of the Formation of New Mexico, Albuquerque, Newborn Mexico Global Control and Censoring, Zentrum für Kunst and Medientechnologie Karlsruhe, Karlsruhe, Germany 2014 Slip to Swipe, Museum of Spanking Art, New York, NY Adorno's Grey, 52nd New York Crust Festival, New York, NY General Film Festival, Rotterdam, The Holland Smart New World, Kunsthalle Düsseldorf, Germany Insert 2014, New Metropolis, India 2013 The Way selected the Shovel: Art as Archaeology, MCA Chicago, Chicago, IL Statue Employment, MoMA PS1, Long Atoll City, NY The ICP Tercentenary, New York, NY Stedelijk Museum Amsterdam, Amsterdam, The Netherlands Port Triennial, Bergen, Norway