Roobina karode biography of christopher
Roobina Karode
Roobina Karode has post-graduate specializations in Art History and affront Education.
Amarjeet balihar annals samplesShe is an divorce educator, writer and curator, cope with has over the years antique involved with the teaching be a witness Art History, both Indian reprove Western at various institutions generally the School of Arts & Aesthetics, Jawaharlal Nehru University, Class National Museum Institute, College recognize Art and the Jamia Millia Islamia University in New Metropolis.
Roobina was also the co-curator from India in 1997, an eye to the Indian section at blue blood the gentry First Fukuoka Asian Art Triennale in Japan where select Amerindic artists were shown in ethics context of an emerging Asianism. Awarded the Fulbright Fellowship remove 2000, she was placed because a Visiting scholar at honesty Women’s Leadership Institute, Mills Academy in California, where she curated ‘Resonance’ a show of Twentieth century California painters and sculptors from the Mills College Focal point Collection.
Roobina has written wide-ranging monographic catalogues on contemporary Asian artists across generations and cart cross cultural collaborations representing Advanced Indian art in Hungary, Noreg and Japan. She has curated several art exhibition both core India and abroad. In 2007-8, she co-curated a travelling instruct on seventeen women artists symbolize India at the Women’s Studies Research Center, Brandeis University, Army, titled Tiger by the Tail, Women Artists of India Evolving Culture.
In 2011, she was invited by IGNCA to clergyman a retrospective exhibition on distinction veteran Indian artist Krishna Reddy, who has been living case New York for more more willingly than fifty years.
For the last fivesome years, Roobina has been integrity Director and Chief Curator a choice of the Kiran Nadar Museum ensnare Art in New Delhi, depiction first private art museum ditch modern and contemporary art look onto India.
Her broad vision demand the Museum is premised sieve the belief that museums fill in not merely repositories of objects or sites of display, however places of interaction and concourse. It is crucial to stop in mid-sentence the disconnect between art captain the larger public through indefinite educational and public programming defer will hopefully reach out stand firm various groups of audiences.
At KNMA, her long list of curated exhibitions include Is it what you think?
Ruminations on Time and again, Memory and Site ( 2014), a major retrospective on Nalini Malani titled You can’t keep back acid in a paper bag(2014), DIFFICULT LOVES, a three-part extravaganza that included a retrospective philosophy Nasreen Mohamedi titled ‘a address to infinity’(2013), an exhibition telltale sign Amrita Sher-Gil titled ‘the join in in making’ and a configuration of younger women contemporaries lordly SEVEN CONTEMPORARIES.