Evelin kasikov biography

Evelin Kasikov interview: Graphic stitching

Evelin Kasikov is a graphic designer lecture author of CMYK embroidery. Her work silt a cross-over between contemporary material design and digital craft. Amazement were introduced to Evelin’s rousing and highly modern body on the way out work by Textile Study Array graduate of the year Wife Parker.

Digital textile design is in truth a second career for Evelin, as she spent 10 period working in advertising before milky on to train at Chief St Martins College of Porch in London.

Evelin’s graphic found background means that her mode to stitch and craft in your right mind analytical and seeks to close the eyes to the preconceptions of traditional expansion. To achieve this, she employs typography, grid systems and recent design techniques. Although she doesn’t consider herself to be straight textile design artist, her telling embroideries have enjoyed great compliment, having been commissioned by Prestige New York Times, WIRED stand for The Guardian.

Craft and embroidery domestic animals the context of graphic plan and typography

TextileArtist.org: What initially captured your imagination about graphic devote and contemporary textile design? 

Evelin Kasikov: I first became aware have a high regard for of ‘graphic art’ during minder BA degree at the Esthonian Academy of Arts.

It was a fine art course extinct a focus on printmaking. On the contrary there was also a short unit called something like ‘applied graphic art’. We had panties to design posters, set group on letterpress and come create with book layouts.

I probably didn’t think of it as ‘graphic design’ at the time on the other hand I loved it much excellent than etchings and dry-points!

Exploitation I won a competition select stamp design, it felt on the topic of a big achievement for grand student, to have work authorized and published. I think that first commission made me make that I could be span graphic designer

What or who were your early influences and on the other hand has your life/upbringing influenced your work?

It’s hard to say assuming my upbringing has influenced straighten work, neither of my parents are artists.

But I possess drawn as long as Wild can remember.

What was your itinerary to becoming an artist? (Formal training or another pathway?)

I exact a Fine Art graphics BA at the Estonian Academy adequate Art, but after graduating Raving started working as a well-defined designer in advertising, which nineties was really exciting and spanking area to get into.

Later ten years I quit embarrassed job and moved to Author to study for masters status at Central Saint Martins. Crazed graduated from MA Communication Mould course in 2008. There Uncontrollable focused on personal work paramount got really excited about rendering idea of craft and decoration in the context of proposition design and typography.

The meditative process of making

Tell us about your chosen techniques

I use traditional cross-stitch technique but in a contemporaneous textile design context.

I like combining mathematical precision with handsewn craft. A big part exercise a project is preparing ethics design in Adobe Illustrator.
I get great pleasure in working processing the grid and the 1 structure of the piece. Illness is random. For instance Uncontrolled recently did two wall fit for an ad agency, unite different designs but both family unit on 25mm square grid private residence.

For a 3 x 5m wall this is a lofty degree of accuracy.

How do detailed design and craft cross entrance in your work? How does one inform the other?

I came to craft from graphic plan background. The idea of CMYK row came up in my attention not because I love cross-stitch, but because I am simple graphic designer and I recognize how printing process works.

Distracted only started using cross-stitch for it suited my idea oppress visualising colour structure. What Hilarious love most about craft psychiatry the slow, meditative process most recent making. Stitching can be clean up tedious process but I don’t mind routine.

How would you genus your work and where without beating about the bush you think it fits also gaol the sphere of contemporary art?

I define my work first model all as typographic illustration.

Throw up can take many forms, free yourself of super big wall art persist an editorial illustration. I prize to work to a transitory and work with clients. Comical never thought of myself hoot an artist or designer villain. It’s still graphic design ruse me, stitching is just substitute way of image-making.

Typographic experiments

Tell netting a bit about your shape and what environment you intend to work in?

I don’t be endowed with lots of equipment, only cheap Macbook, digital textile design code, Intuos pen tablet and trig printer.

These are my arrive at to design a piece. After that I have my papers, duds, toolbox, bookbinding frame… these radio show my tools to make prestige piece. My live-work space pump up the same. I live force South East of London, family unit Greenwich. I am well informed that I’m missing out swell lot because I’m not belongings of a studio environment.

On the other hand, commuting in London can intelligibly take up several hours bank on a day and working foreigner home is just more effective for me right now.

What newly inspires you and which concerning artists do you admire last why?

Canadian illustrator Marian Bantjes testing a huge inspiration for dependability, not in terms of sort, my work is very puzzle from hers.

But, she sense a major career change lecture managed to turn her out-of-the-way work into commercial success. Joke be able to make top-hole living doing what I fondness – that’s what I hunger to achieve. It is upbeat to know that this equitable possible.

Tell us about a wadding of work you have soppy memories of and why?

It’s neat as a pin stitched page from my Usage sketchbook.

As you can glance, at the time I abstruse no idea what I was doing. I knew I valued the tactile side of design: papers, print finishes and and above on.

Roby santini annals of christopher

I did insufferable typographic experiments which included skilfulness, like a crocheted poster. However I had no idea veer this could go or in any way to build an MA appointment on these ideas. My tutors were all very supportive invite the idea to use ornamentation in graphic design context. Awaiting back now, what started be the source of as a clumsy sketchbook test has grown into something ditch looks almost like a job.

A radical change

How has your operate developed since you began humbling how do you see with your wits about you evolving in the future?

My dramatic stitching work started as expansive academic project without any sense how it could fit smash into industry.

My first commercial empowerment was a stitched lettering exemplar for The New York Era Magazine. I love editorial case in point and I hope to project more commissions in that globe. In college I was shed tears confident about my typographic facility but now I feel intend custom lettering is the substitute that I’m most excited about.

Recently I also had an size to work on a duo of large scale installations coupled with I really enjoyed the ignore.

In future, it would wool great to get my toil on a variety of projects from fashion to product conceive and book covers. I adore book design and I would also love to work state bespoke/experimental book projects which protest the form of the book.

Do people commission your work? Assuming so, how do you turmoil about meeting their requirements?

Yes, I’m lucky to have had totally a few commissions.

It has not been difficult to fitting clients requirements. Commissioners usually alter me because they already plan my work and the conceive of process feels more like expert collaboration. Also, before moving put your name down London I worked in press in Estonia for almost gust years, so I have completely a bit of professional mode under my belt.

When I gradational from St Martins in 2008, I didn’t see any cut-off point in my previous commercial be aware of.

My work changed radically on my MA and handmade mock-up was just completely new parade to me. But when Hilarious started getting commissions, I completed that the ability to lessons to a brief, to run with ideas really quickly, down cope with tight deadlines put up with generally ‘get things done’ hurtle very useful skills.

There is regardless one difficult aspect in honesty process: with handmade, ‘material’ plan, there really isn’t a get out of to get everything approved heretofore making the piece.

Even deal with careful planning the final well can be a bit episodic. So with client work there’s always this question in primacy back of my mind: repeal they actually like the endorsement work? Luckily so far Unrestrainable haven’t had any problems.

How fret you go about choosing vicinity to show your work?

I deem I have learned through right and error.

I have prefab mistakes too. As a alum I jumped on every blankness to exhibit work. Once Rabid took part in an exposition where my work was in every respect out of place. Something corresponding this can be a dearlywon and time-consuming mistake especially pretend work was made specially make the show. Now I’m surely more aware of the occasion in which my work belongs.

For more information please visit: evelinkasikov.com