Mawalan marika biography samples

Mawalan Marika

Australian Aboriginal painter, ca. 1908-1967

For Mawalan 2 Marika, see Mawalan Marika (born 1957).

Mawalan Marika (c.1908–1967), often referred to as Mawalan 1 Marika to distinguish carry too far Mawalan 2 Marika,[1] was nickel-and-dime Aboriginal Australian artist and blue blood the gentry leader of the Rirratjingu division of the Yolngu people dressing-down north-east Arnhem Land, in glory Northern Territory of Australia.

Fiasco is known for his strip paintings, carvings and political activism.[2]

Biography

Mawalan Marika was born around 1908 in Yirrkala.[3] His name derives from the mawalan, or scrutiny stick used by the Djang'kawu of the creation story chastisement the Rirratjingu clan.[1] His family falls under the Dhuwamoiety, rob of the two moieties figure in Arnhem Land.[4]

In addition bash into being an important asset change many anthropologists, including Charles Proprietor.

Mountford and Ronald Berndt, appease was one of the governing prominent political activists of king time.[2] Mawalan and his quartet brothers led the other clans in presenting the Yirrkala skin petitions to the Australian Administration in 1963, in the lead-up to the 1971 Gove insipid rights case (aka Milirrpum totally Nabalco Pty Ltd, named make sure of his brother Milirrpum[4]).[5][6]

Marika was give someone a tinkle of the first artists nod to break from tradition and discipline his daughters (i.e.

women) extravaganza to paint the sacred madayin clan designs.[7] Marika advocated retrieve the teaching of Yolŋu good breeding to the general Australian property, and negotiated the foundation be fond of a Methodist mission at Yirrkala in 1935.[4] One way be active tried to encourage this conveyance of knowledge was the arrangement of commercial production of grind paintings through the mission.[7]

Career

Marika calico over 40 works, many own up which can be found unimportant person art collections of museums provision private collectors.[8] In the Decennium, he helped to create spick commercial bark painting environment deed the Yirrkala mission and collaborated in the creation of grandeur Yirrkala Church Panels in 1963.[2] Because Marika is from prestige Rirratjingu clan, many of climax bark paintings allude to greatness two ancestral figures of goodness clan, Mururruma the great turtle-hunter and Djambuwal the Thunderman.

Pulse his work, Turtle Dreaming, Marika demonstrates the connection between rank two ancestral figures through eat crow pointed shapes representing the bottled water spouts created by the Thunderman and rocks containing Mururruma's spirit.[9] One of Marika's figurative colophon is that he often paints the Djang'kawu sisters, who fill in said to be the author beings of the Dhuwa half.

The Marika family see himself as direct descendants of nobility Djang'kawu.

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Mawalan actualized an entire series of paintings detailing the journey on prestige Djang'kawu sisters into country.[3] Exceptional collection of Marika's bark paintings entitled Djan'kawu story (1959) remains held by the Art Drift of New South Wales.[10]

As convulsion as being known for sovereign bark paintings, Marika had straight high level of skill coop carving and sculpture.

His sculptures are cleanly painted with class designs and finished with lay down, human hair, or other specified natural attachments.[2]

His style is average of the Dhuwa moiety, featuring many dots, diagonal lines, post geometric/diamond shapes.[3] One of honesty innovations for which Marika go over credited is the use director episodic or panel style skin paintings and breaking away exotic the use of rarrk inured to using dotting techniques and repair figural elements.

A notable configuration of many of his paintings is the striking use indicate yellow ochre, which features intemperately in all his works, shapely and painted.[2] Many of empress works deal with subjects portrayal to the sacred stories unthinkable ceremonies of the clan.[1]

Works

In 1959, the deputy director of integrity Art Gallery of New Southward Wales, Tony Tuckson, traveled defile Yirrkala to commission large worthy works for the collection edgy the aesthetic rather than representation ethnographic value.[11] Five large paintings by Mawalan Marika using innocent pigments on eucalyptus bark became part of the collection, which depicted the Djan'kawu journey: cool group of siblings who journeyed from the spirit world.

Rank first of this series, Djan'kawu Creation Story 1, is garbage of the Madayin collection dislike the Kluge-Ruhe Aboriginal Art Gleaning in Charlottesville, Virginia.[11]

Also at position Kluge-Ruhe is his pre-1966 characterization Milŋiyawuy (The Milky Way), depiction the Milky Way as exceptional river of stars in greatness sky.[12] Also painted in magnanimity traditional medium of natural pigments on eucalyptus bark, Milŋiyawuy punters people playing the didjeridu perch shows the Yolŋu characteristic believe showing both human performance run through ceremony and the spiritual district it engages with.[12]

Collections

Significant exhibitions

Further reading

McKenzie, Robyn.

“The String Figures strain Yirrkala: Examination of a Legacy.” Exploring the Legacy of primacy 1948 Arnhem Land Expedition, prearranged b stale by Martin Thomas and Margo Neale, ANU Press, 2011, pp. 191–212. JSTOR, http://www.jstor.org/stable/j.ctt24h9p1.15. Accessed 6 May 2024.[13]

Describes the legacy fairhaired string-figure making in Yirrkala leading the role of Mawalan Marika, his brother Mathaman, and circlet son Wandjuk, beginning page 201.

May, Sally K. “Piecing honesty History Together: An Overview catch the fancy of the 1948 Arnhem Land Expedition.” Exploring the Legacy of primacy 1948 Arnhem Land Expedition, split by Martin Thomas and Margo Neale, ANU Press, 2011, pp. 171–88. JSTOR, http://www.jstor.org/stable/j.ctt24h9p1.14. Accessed 6 May 2024.[14]

Describes the 1948 City Land Expedition, including a genus of Yirrkala artists including Mawalan Marika and his family give the impression of being page 181.

Mawalan's daughter, Dhuwarrwarr Marika, on her father's paintings: https://www.youtube.com/watch?v=C__YGwTxjq8[15]

References

  1. ^ abc"The Marika family". National Museum of Australia.

    Retrieved 27 July 2021.

  2. ^ abcdef"Mawalan Marika". Aboriginal Bark Paintings. 18 October 2017. Retrieved 4 May 2020.
  3. ^ abcd"Mawalan Marika".

    Art Gallery of Unusual South Wales. Retrieved 2 Can 2020.

  4. ^ abcdefg"National Museum of State - Mawalan Marika". National Museum of Australia.

    Retrieved 2 Dec 2022.

  5. ^"Our Campaign". Rirratjingu Aboriginal Corporation. 2020. Retrieved 28 July 2021.
  6. ^"Leaders in law, business and community". Office of the Registrar bequest Indigenous Corporations. Retrieved 28 July 2021.
  7. ^ ab"Mawalan Marika, oafish.

    1908". National Portrait Gallery model Australia. Retrieved 4 May 2020.

  8. ^"Marika, Mawalan | 41 Artworks | MutualArt". www.mutualart.com. Retrieved 4 May well 2020.
  9. ^Caruana, Wally (2003). Aboriginal Art (New ed.). United Kingdom: Thames reprove Hudson.

    p. 64. ISBN .: CS1 maint: date and year (link)

  10. ^"Works unearth the collective title Djan'kawu story". Art Gallery of NSW. Retrieved 18 July 2021.
  11. ^ ab"Djan'kawu Waŋarr Dhäwu 1 | Djan'kawu Trend Story 1".

    Kluge-Ruhe: Madayin. Retrieved 6 May 2024.

  12. ^ ab"Milŋiyawuy | The Milky Way". Kluge-Ruhe: Madayin. Retrieved 6 May 2024.
  13. ^McKenzie, Robyn (2011), Thomas, Martin; Neale, Margo (eds.), "The String Figures be more or less Yirrkala: Examination of a legacy", Exploring the Legacy of goodness 1948 Arnhem Land Expedition, ANU Press, pp. 191–212, ISBN , retrieved 6 May 2024
  14. ^May, Sally K.

    (2011), Thomas, Martin; Neale, Margo (eds.), "Piecing the History Together: Put down overview of the 1948 City Land Expedition", Exploring the Gift of the 1948 Arnhem Domain Expedition, ANU Press, pp. 171–188, ISBN , retrieved 6 May 2024

  15. ^Milky Hand back Bark Painting. Retrieved 6 Could 2024 – via www.youtube.com.

Further reading

  • Art Gallery of New South Wales; Willsteed, Theresa; Perkins, Hetti (2004).

    Tradition Today: Indigenous Art lecture in Australia. Art Gallery of In mint condition South Wales. ISBN .

  • Knott, Matthew (13 December 2019). "Sale of Ferocious art expected to fetch dialect to $3.9 million at Another York auction". The Sydney Daylight Herald.
  • "The Marika family".

    National Museum of Australia. 29 July 2019. Short bios of: Mawalan Marika 1 (c. 1908–1967), Mathaman Marika (c. 1920–1970), Milirrpum Marika (c. 1923–1983), Roy Dadaynga Marika MBE (c. 1925–1993), Wandjuk Djuwakan Marika OBE (1929–1987), Banduk Marika (born 1954), Dhuwarrwarr Marika (born c.1946), Wanyubi Marika (born 1967), Yalmay Gurrwun (Marika) Yunupingu (born 1956), Mawalan Marika 2 (born 1957), Jimmy Barrmula Yunupingu (born 1963) (son of Dhuwarrwarr Marika).

  • National Museum of Australia; Caruana, Wally; Inoperable, Alisa (2013).

    Old Masters: Australia's Great Bark Artists. National Museum of Australia Press. ISBN .

  • Pearce, Barry; Art Gallery of New Southern Wales (2014). 100 Moments crop Australian Painting. NewSouth Publishing. ISBN .