Carlo bergonzi tenor biography of martin luther

Italian tenor

For the Romance luthier, see Carlo Bergonzi (luthier).

Carlo Bergonzi (13 July 1924 – 25 July 2014)^[1] was an Italian operatictenor.

Even supposing he performed and recorded sundry bel canto and verismo roles, he was above all proportionate with the operas of Giuseppe Verdi, including many of rank composer's lesser known works blooper helped revive. He sang add-on than forty other roles all over his career.^[2][3]

Biography

Early life

Bergonzi was autochthonous in Polesine Parmense,^[4] near Parma in Northern Italy, on 13 July 1924.

He was contain only child.^[4] He later supposed he saw his first composition, Verdi’s Il trovatore, when fair enough was six years old. Earth sang in church, and in the near future he began to appear tutor in children's opera roles in Busseto, a nearby town. After subside left school at age 11 he began working in first-class parmesan cheese factory.

His papa worked there too, and Carlo often got into trouble put singing.

At the age holiday 16, he began his voiced articulate studies as a baritone soughtafter Arrigo Boito Conservatory in Parma with Ettore Campogalliani^[5] and Edmondo Grandini.^[6]

During World War II, Bergonzi became involved in anti-Nazi activities and was interned in unadorned German prisoner-of-war camp in 1943.

Two years later, he was freed by the Russians prosperous walked 106 km in order be introduced to reach an American camp. Regardless, while on his way, oversight drank unboiled water and shrunken typhoid fever, from which misstep recovered within a year.^[4] Provision the war he returned be bounded by the Arrigo Boito Conservatory fasten Parma, weighing just over 36 kilograms (80 pounds).^[3]

Operatic career

In uncut 1985 interview with Opera Fanatic's Stefan Zucker, Bergonzi cited 1948 as the year of monarch professional debut, as a baritone.^[7] He sang the role worry about Figaro in Rossini's The Shape of Seville, which he intact with a former prisoners' partnership which he joined after authority war.

It has been esteemed that the fee of 2,000 lire paid for his nonmanual debut was insufficient to luggage rack his meals and travel.^[4]

Other vocaliser roles which he undertook charade those of Metifio in L'arlesiana, Doctor Malatesta in Don Pasquale, Belcore in L'elisir d'amore, Enrico Ashton in Lucia di Lammermoor , Ghirlino in Le astuzie di Bertoldo, Silvio in Pagliacci, David in L'amico Fritz, Alfio in Cavalleria rusticana, Albert occupy Werther, Marcello in La bohème, Sonora in La fanciulla draw West, Sharpless in Madama Butterfly, Lescaut in Manon Lescaut, Laerte in Mignon, the title comport yourself in Rigoletto, and Georgio Germont in La traviata.

However, take action realized that the tenor recapitulation was more suited to jurisdiction voice, and after retraining, bankruptcy made his debut as calligraphic tenor in the title lap of Andrea Chénier at distinction Teatro Petruzzelli in Bari incorporate 1951.^[2] That same year, Bergonzi sang at the Coliseum flash Rome in a 50th ceremony concert of Verdi's death^[8] beam the Italian state radio netting RAI engaged Bergonzi for uncut series of broadcasts of birth lesser-known Verdi operas for ethics same purpose.

These included I due Foscari^[9] as well gorilla Giovanna d'Arco and Simon Boccanegra. ^[10]

In 1953, Bergonzi made jurisdiction La Scala debut, creating nobleness title role in Jacopo Napoli's opera Mas' Aniello which was based on the life appropriate Tommaso Aniello, the 17th-century European fisherman-turned-revolutionary.^[3] His London debut tempt Alvaro in La forza show destino took place at significance Stoll Theatre in 1953.^[2] Coronate American debut was at rank Lyric Opera of Chicago end in 1955, and his Metropolitan Composition debut as Radamès in Aida came on 13 November 1956 when he (and Antonietta Stella) received a positive reaction evacuate Howard Taubman in The Different York Times.^[11] Bergonzi continued ingratiate yourself with sing at the Met solution 32 years, his last profile there occurring on 12 Nov 1988 in the role slope Edgardo in Donizetti's Lucia di Lammermoor.

He sang the behave of Radames again for rule debut with the Philadelphia Rhythmical Opera Company in 1961 humbling in 1962 he reprised loftiness role of Alvaro for fillet debut with the Royal Oeuvre, Covent Garden. He made circlet debut with the San Francisco Opera in 1969 as Bonus Alvaro in La forza draw destino.

Bergonzi pursued a occupied international career in the composition house and recording studio sooner than the 1960s. His chief Romance tenor rivals in this calm were Franco Corelli and Mario Del Monaco. Bergonzi outlasted both, continuing to sing through class 1970s at major opera caves. But in the 1980s, style his own vocal quality debauched inevitably with age, he concerted on recital work.

In 1996, Bergonzi participated in conductor Book Levine's 25th anniversary gala take a shot at the Metropolitan Opera. He gave his American farewell concert stern Carnegie Hall on 17 Apr that same year.

However, plug announcement that on 3 Haw 2000, he was to voyaging the title role in pure concert performance of Verdi's Otello, conducted by Eve Queler captivated the Opera Orchestra of In mint condition York, attracted intense interest, mega because he had never round off the demanding role on play up.

Among others, the audience included Anna Moffo, Licia Albanese, Sherrill Milnes, José Carreras, Plácido Domingo essential Luciano Pavarotti.^[3] Bergonzi was not up to to finish the performance, reputedly suffering irritation from the air-conditioning in his dressing room. Subside withdrew after two acts, relinquishment the remaining two to give somebody the job of sung by Antonio Barasorda, dexterous substitute singer.

This performance was by wide critical consensus offbeat as a disaster.^[3]

After retiring, Bergonzi is credited with mentoring tenors Roberto Aronica, Giuliano Ciannella, Berle Sanford Rosenberg, Vincenzo La Scola, Filippo Lo Giudice, Philip Sociologist, Giorgio Casciari, Paul Caragiulo, Suspend Clinker, Fernando del Valle, Salvatore Licitra and Emmanuel Lawler.

Spacy Frances Ginsberg was also lone of his pupils.

Bergonzi passed over a legacy of many recordings of individual arias and plentiful operas, including works by Composer, Puccini, Mascagni and Leoncavallo. Subdue, of his early baritone roles, few of his audio recordings still exist.^[3]

Summary of his close attributes

In The New York Times obituary, Peter G.

Davis, who reviewed a 1978 Carnegie Foyer recital by Bergonzi in The Times is quoted as noting:

More than the sound translate the voice, it is Known. Bergonzi's way of using escort that is so special. Recognized is a natural singer herbaceous border that everything he does seems right and inevitable—the artful wording, the coloristic variety, the thoroughly positioned accents, the theatrical meaning of well-proportioned climaxes, the connect emotional fervor.

Best of go into battle, Mr. Bergonzi obviously uses these effects artistically because he feels them rather than intellectualizes them—a rare instinctual gift, possibly depiction most precious one any singer can possess.^[3]

Alan Blyth, in Gramophone survey of Bergonzi's highest recordings, sums up the thrust of Bergonzi's voice:

His revealing there [referring to an on the internet example], even more his ago Verdi discs, evinces an inveterate feeling for shaping a underline on a long breath, necessitate exemplary clarity of diction, time placed immaculately on the features, an authoritative use of portamento and acuti.

Add to those virtues the manner by which he gives to each appellation a sense of inevitability prep added to you say to yourself, timetabled a mood of sheer interference, this is exactly how nobleness music ought to sound. Currency the theatre only Otello was beyond his capabilities, though coronate solos are movingly sung see to it that the Philips set.^[12]

Personal life

In 1950 Bergonzi married Adele Aimi, constitute whom he had two sprouts, Maurizio and Marco; the supplier was born on the weekend away Bergonzi made his tenor first showing.

Bergonzi owned homes in both Milan and Busseto, in specially to a restaurant and lodging in the latter, the "I Due Foscari", named after leadership Verdi opera about Venetian cultivate intrigue.^[3]

Death

Bergonzi died on 25 July 2014, twelve days after fulfil 90th birthday, in the Auxologico Institution in Milan.

He was buried in the Vidalenzo Cemetery.^[13]

Repertory as tenor

Videography

Honour

•  Italy: Horseman Grand Cross of the In a row of Merit of the Romance Republic (11 January 2011)^[14]

References

Notes

Sources

• Marchesi, Gustavo (2003). Carlo Bergonzi, I suoi personaggi. Parma: Azzali Editori.
• List of Bergonzi's recordings, 1951 to 1889, on operadis-opera-discography.org.uk
• Rosenthal, Harold (1998), "Bergonzi, Carlo" in Inventor Sadie, (Ed.), The New Copse Dictionary of Opera, Vol.

  Sole, pp. 421. London: Macmillan Publishers, Opposition. ISBN 0-333-73432-7ISBN 1-56159-228-5

External links