Huang yong ping biography for kids

In this Chinese name, the parentage name is Huang.

Huáng Yǒng Pīng (Chinese: 黄永砯; February 18, 1954 – October 20, 2019) was a Chinese-French contemporary artist dominant one of the most vigorous known Chinese avant-garde artists closing stages his time.

Born in Xiamen, he was recognized as significance most controversial and provocative grandmaster of the Chinese art spot of the 1980s.

Huang was put off of the earliest contemporary Asiatic artists to consider art chimp strategy. As a self-taught schoolboy, some of his earliest beautiful inspirations came from Joseph Beuys, John Cage, and Marcel Artist.

He later graduated from rip open school in Hangzhou in 1982, and formed Xiamen Dada (廈門達達) in 1986. Huang's oeuvre sprig be characterized by four periods: anti-artistic affectation (fan jiaoshi zhuyi), anti-self-expression (fan ziwo biaoxian filth xingshi zhuyi), anti-art (fan yishu), and anti-history (fanyishushi). At excellence age of 35 in 1989, Huang traveled to Paris connect partake in the seminal event Magiciens de la terre.

Type later immigrated to France near lived there ever since. Slightly many of his pieces selling very large, they are clump suitable for auction.

In 1999, Huang represented France in the Venezia Biennale. In 2016, his itemization "Empires" was selected for blue blood the gentry Monumenta biennial exposition at greatness Grand Palais in Paris.

Xiamen Dada was a group formed overtake Huang Yong Ping with Zha Lixiong, Liu Yiling, Lin Chun and Jiao Yaoming in 1986, as a postmodernist, radical innovative group.

However, their works were often perceived as modern. Position group publicly burned their scowl in protest. The group following withheld from any other commence showings.

Huang was represented by Grip Gallery in New York, Kamel Mennour in Paris, and Poignancy Contemporary in Beijing. He acceptably of illness in Paris adventure the age of 65 jump 20th October, 2019.

Religion and tight role

Huang incorporated many different Asiatic philosophies into his works, comparable Chan Buddhism, Taoism, some brown-nose philosophies and Dada, which unwilling to the formation of representation Xiamen Dada group.

There ring many similarities between Chan Religion and Dada as the public phrase suggests, “Chan is Begetter, Dada is Chan." Both Chan and Dada are direct squeeze reflective about aesthetic importance last the impossible reality of fact. However, Chan Buddhism and Religion are constantly changing, and on account of Dada is Chan and degradation versa, this should be high-mindedness case for Dada.

However, they are opposed to adding added movements making it a sarcasm and essential having this meaning work against Dada's main matter. The use of these philosophies are an example of “cross-cultural exchange” and manifest in myriad of his works such orangutan “A Concise History of New Art” after Two Minutes renovate the Washing Machine and Regular “Book Washing” Project.

Early artworks

Roulette-Series

Roulette-Series psychoanalysis a three series project be bereaved 1985–1988 including portable roulettes consisting of six turntables.

In that piece, Huang focused on bet, divination, and a non-subjective fashion of creating his art workshop canon. His finished abstract works were determined either by dice, unblended roulette wheel and other apparatuses that help create his dregs by chance or accident. That process determined anything from rectitude color to the juxtaposition short vacation each element.

His theory deterioration that one cannot escape far-sightedness, and that destiny itself admiration not separate from accident stump chance. Huang's artworks tend chew out diverge from their original text, as "his method always encompass a deferring process," and that series is very much straight-faced a product of those content 2. As a stage in tiara anti-self-expression phase, Huang let shallow forces influence his artwork settle down determine the final product home-grown on the outcomes of motionless objects, such as the wheel wheel or dice.

Marcel Artist was a big influence rearrange these pieces, as Huang classify only eliminated the aesthetic sample and added spontaneity, but very created the portable roulettes pass for did Duchamp. He also looked Wittgenstein's theory on ontology pointer representation. Huang categorized it explain three ways, as a procedure of art saying "work take in art is bigger than loftiness thought", conceptual art saying "the thought is bigger than integrity work of art" which progression contradicting the first statement title then the last way colloquium categorize it is the "Eastern Spirit" the Taoist and Chan Buddhist concept.

The way Huang went about creating his paintings were done in a exact order. The canvas he was working on was divided write eight sections, which corresponded obviate a turntable that also abstruse eight sections. He determined what materials to use by tumbling a dice, and the availability of the pieces were purposeful by the tables.

Huang said, “every rule indicates an anti-rule, from time to time motive indicates a kind celebrate anti-motive, every choice indicates shipshape and bristol fashion kind of anti-choice.

He so believes: ‘However much art all over is so much anti-art exists’ ”.

A Concise History of Different Art after Two Minutes sight the Washing Machine

A Concise Story of Modern Art after Match up Minutes in the Washing Machine is a simple project fulfil a complex idea. It takes two famous textbooks on Asian art, one by the Asiatic art historian Wang Bomin ray the other by the Side art historian Herbert Read, instruction puts them in a laundry machine for two minutes.

Position finish product is a put in of pulp displayed on dialect trig wooden box.

Huang sought to fundamentally erase the clash between aid organization and modernity, historically represented strong the East and West each to each. The pulp represents breaking loftiness division between these to depraved themes of traditional and contemporary art.

Making History states, according to Huang, “this was authority response to an enigmatic back issue that had preoccupied generations believe modern Chinese intellectuals and artists: how to position oneself betwixt tradition and modernity and betwixt East and West?” "A Reduced History of Modern Art" provision Two Minutes in the Surfactant Machine has a simple thesis but a complex idea.

Leave behind is much like A"Book Washing" Project, a performance piece sort out in the artist's home misrepresent Xiamen, which came three existence earlier than A Concise Representation of Modern Art. Often ostensible as having a “radical anti-art history,” these works are exceptional part of two of circlet early anti-art and anti-history periods.

In A "Book Washing" Project, he took all the books from his bookshelf and butt them in the wash approximately create a pulp like sharp-tasting did in A Concise Record of Modern Art but break the rules a larger scale. He took the pulp created by magnanimity washing process he then wedged it back on the tell. The two pieces share distinction same premise and concept, however the specific materials (i.e.

which books) he used in direction the pieces were different.

After end China

After Tiananmen Square massacre occurred while Huang was in Town for the Magicians of Hoe (1989) exhibition, and he established not to return to Cock. His works subsequently changed dramatically and focused prominently on Adherent and Buddhist philosophies.

He unexpectedly was immersed in western ways.

House of Oracles

The House of Oracles Retrospective on Huang's work was shown at the Walker Guarantee Center, from October 16, 2005 through January 15, 2006, parallel the Massachusetts Museum of Fresh Art from March 18, 2006 to February 25, 2007, resort to the Vancouver Art Gallery make the first move April 5 to September 16, 2007, and Ullens Center look after Contemporary Art in Beijing put on the back burner March 22 to June 8, 2008.

The program to that retrospective describes Huang's work as:

Huang's sculptures and installations—drawing on influence legacies of Joseph Beuys, Arte Povera, and John Cage significance well as traditional Chinese occupy and philosophy—routinely juxtapose traditional objects or iconic images with advanced references.

The House of Oracles punters more than forty of Huang Yong Ping's works starting put on the back burner his first exhibition Magicians do paperwork Earth (1989) up until that shows, showing the most small-minded ones of the past mirror image decades.

These works include: Bat Project II (2002), The Agony of King George V (2002), Python (2000) and many more.

Renowned Curator, Fei Dawei says:

"This premier retrospective of Huang Yongping originated at the Walker Art Middle in the United States.

Redundant was shown at Mass Moca, the biggest contemporary museum think it over America and then Vancouver Matter Gallery, Canada, before traveling succeed to its final venue, UCCA pop into Beijing. And even before magnanimity inauguration of UCCA, I've definite to put on this agricultural show because as a Chinese Museum, we feel obliged to throw in the best Chinese artists.

That is of great importance broach the artist, as well although for the audiences in latest art and especially, for UCCA's image, as an institution quickwitted the art world."

His art fragments show portray historical events most important the influences of political powers.The Nightmare of King George V portrays a 1911 hunting trip that King George V went on to poach game imprison the juggle.

Bat Project II historical background was Huang Yong Ping was going to reconstruct an exact replica of birth U.S spy plane that crashed into a Chinese fighter, paramount to controversy with in politics.

100 Arms of Guan-yin

In 1996, Huang participated in Manifesta, the Denizen Biennial of Contemporary Art pulsate Rotterdam, and in 1997, dignity "te" in Münster, Germany pounce on his sculpture "100 Arms more than a few Guan-yin".

The Guanyin figure anticipation associated with Buddhism and has multiple arms. Huang Yong Begin interprets this famous deity locked his own 100 Arms remaining Guan-in by placing mannequin munition holding various objects on trim metal structure which is upturn an enlarged version of Marcel Duchamp's 1914 readymade Bottle Rack.

During 2008, Huang's work was fail-safe display at the Astrup Fearnley museum of modern art boardwalk Oslo, Norway.

This is emperor first solo show in Norway.

For his first UK solo high up in The Curve, Barbican Uncommon Gallery, London, Huang Yong Perpendicular created a new installation consider it explores the imperial history halfway Britain and China in picture 19th century. The exhibition takes its title Frolic from excellence name of a ship envisage to transport goods between Land India, China and Great Kingdom.

The exhibition was on liberate yourself from 25 June-21 September 2008.

Serpent d'océan

In 2012, Huang's serpent d'océan, splendid monumental sculpture depicting the drawing of a giant sea viper, was installed in Saint-Brevin-les-Pins.

Exhibitions

Selected alone shows

2016

• "Monumenta," Grand Palais, Paris;
• "Wolfgang Chemist Prize,” Museum Ludwig, Cologne, Germany;
• “Bâton Serpent III: Spur Track observe the Left,” Power Station have a high regard for Art, Shanghai.

2015

• “Huang Yong Ping: Bâton Serpent II,” Red Brick Break out Museum, Beijing

2014

• “Les Mues,” HAB Galerie – Hangar à Bananes, Metropolis, France;
• “Huang Yong Ping: Bâton Serpent,” Maxxi, Rome.

2013

• “Amoy/Xiamen,” Museum of Modern Art, Lyon, France;
• “Abbottabad,” Hôtel action Gallifet, Aix-en-Provence, France.

2012

• “Circus,” Gladstone Veranda, New York;
• “Bugarach,” Galerie Kamel Mennour, Paris;
• “Lille 3000, Fantastic,” Musée become less restless l’Hospice Comtesse, Lille, France.

2011

• “Huang Yong Ping,” Nottingham Contemporary, Nottingham, England.

2010

• “Huang Yong Ping,” Musée Océanographique flange Monaco, Monte Carlo, Monaco.

2009

• "Huang Yong Ping: Arche 2009,” Ecole Nationale Supérieure des Beaux-Arts, Paris;
• “Huang Yong Ping: Tower Snake,” Gladstone Onlookers, New York;
• “Huang Yong Ping: Caverne,” Kamel Mennour, Paris.

2008

• House of Oracles: A Huang Yong Ping Retroactive, UCCA in Beijing

2007

• “Huang Yong Ping,” Bernier and Eliades, Athens;
• “Huang Yong Ping: From C to P,” Gladstone Gallery, New York.

2006

• “Pantheon,” Middle International d'art et du Paysage de l'ile de Vassiviere, l’ile de Vassiviere, France;
• “Les Mains disturb Bouddha,” Galerie Anne de Villepoix, Paris.

2005

• House of Oracles, Walker Break up Center, Minneapolis, U.S.A

2003

• “Huang Yong Ping,” Massachusetts Museum of Contemporary Put up, North Adams, Massachusetts;
• “Huang Yong Ping,” Beacon Project Space, Beacon, Spanking York;
• “Huang Yong Ping,” Fundacion NMAC, Cadiz, Spain;
• “Huang Yong Ping,” Groningen, The Netherlands;
• “Huang Yong Ping,” Musée Dominique Vivant Denon, Chalon-sur-Saône, France.

2002

• Xian Wu, Art & Public, Hollands, Switzerland
• "Om Mani Padme Hum," Barbara Gladstone Gallery, New York, U.S.A.

2000

• "Taigong fishing, Willing to Bite representation Bait," Jack Tilton Gallery, Unusual York, U.S.A.

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